Szenenbild 1 von 17 aus Marketa Lazarová. Regie: Frantisek Vlácil. Mit: Josef Kemr, Magda Vásáryová. Alle Fotos hier durchblättern. Marketa Lazarová. 7. September / Tobias Faget / Bild: Bildstörung. Die Mittelalterfilme – das sind epische Schlachten, glorreiche Heerführer und. In seiner Heimat wird František Vláčils MARKETA LAZAROVÁ als bester tschechischer Film aller Zeiten gefeiert. Basierend auf einem Roman von Vladislav.
Marketa Lazarova Statistiken
Kozlik ist ein kaltblütiger Tyrann, der seine Söhne Mikolás und Adam damit beauftragt hat, vorbeiziehende Reisende zu überfallen und sie ihrer Kostbarkeiten zu berauben. Die Brüder gehen ebenso skrupellos vor wie ihr Vater. Bei einem erneuten. In seiner Heimat wird František Vláčils MARKETA LAZAROVÁ als bester tschechischer Film aller Zeiten gefeiert. Basierend auf einem Roman von Vladislav. DROP OUT MARKETA LAZAROVÁ. Ein Film von František Vláčil. Tschechoslowakei Min. (ungeschnitten) Ab 1. Dezember danielovdom.eu - Kaufen Sie Criterion Collection: Marketa Lazarova günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. „Marketa Lazarová“ // Deutschland-Start: 1. Dezember (Kino) // 3. März (DVD/Blu-ray). Im Jahrhundert ist die Landschaft. Compra Marketa Lazarova [Blu ray] . SPEDIZIONE GRATUITA su ordini idonei. Marketa Lazarová. Im Original | OmU. Historiendrama nach dem gleichnamigen Roman von Vladislav Vancura, basierend auf einer tschechoslowakischen.
Marketa Lazarová ist eine tschechoslowakische Verfilmung des gleichnamigen Buches von Vladislav Vančura, in der sich mittelalterliche Feudalherren verfein. „Marketa Lazarová“ // Deutschland-Start: 1. Dezember (Kino) // 3. März (DVD/Blu-ray). Im Jahrhundert ist die Landschaft. Compra Marketa Lazarova [Blu ray] . SPEDIZIONE GRATUITA su ordini idonei.
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Alternate Versions. Rate This. A grim portrayal of the shift from Paganism to Christianity in medieval central Europe - as a young virgin promised to God is kidnapped and raped by a marauder who her religious father seeks to kill in return.
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You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Josef Kemr Marketa Lazarova Nada Hejna Katerina Jaroslav Moucka Adam 'One-handed' Martin Mrazek Simon Pavla Polaskova Drahuse Michal Kozuch Lazar Zdenek Lipovcan Add Article.
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How did you buy your ticket? View All Photos Movie Info. This acclaimed Czech epic, set during the transition from paganism to Christianity during the 13th century, focuses on the Kozlik family, a clan of brutal and superstitious pillagers who ravage the bleak medieval countryside on horseback.
Frantisek Vlacil. Feb 17, Magda Vasaryova Marketa Lazarova. Michal Kozuch Lazar. Pavla Polaskova Alexandria. Josef Kemr Kozlik.
Harry Studt Old Count Kristian. Vlastimil Harapes Young Count Kristian. Karla Chadimova Prioress. Frantisek Vlacil Director.
May 22, Full Review…. June 17, Full Review…. March 27, Full Review…. August 31, Full Review…. August 16, Full Review….
March 30, Full Review…. February 23, Rating: 3. View All Critic Reviews Jul 18, It's gritty, black-and-white melodrama set in deep snow, and it features wolves, so I don't suppose cinema gets too much more Central Europe than this.
Mix that all in with hyper-experimental storytelling which more-or-less ensures that the film is not quite as exciting as its subject matter, and you have yourself one classic European snoozefest.
Oh yeah, who would have guessed that the idea behind minutes of the Middle Ages, entirely in Czech, could be made into a boring movie?
No, people, this film is reasonably engaging, and at any rate, I think that some respect is due here.
I mean, seriously, people we're looking at what the people agree is No one seems to keep up with Czech cinema, and yet, it's surprisingly busy, so how do you know that this, of all Czech films, is the best?
I hope not, because even though this film is decent, it doesn't set too high of a standard for Czech filmmaking for me, for a number of reasons.
Clocking in at about two hours and three quarters, this film promises to be an epic, and in terms of its being so heavily layered with its narrative, I suppose it is, yet there's hardly enough scope or dynamicity to justify a relatively sprawling length which is achieved largely through near-monotonous filler, and an even greater excess in material.
The many narrative layers of this drama should fit reasonably snug in the context of the plot's progression, but if there is a sense of excess to the material, then it is stressed by a sense of episodicity, which sees the film spending too much time with each segment, yet not enough to flesh them out enough to make the eventual focal shifts smooth.
The film is seriously uneven with its focus, just as its uneven with its pacing and, yes, even its style, which is often grounded, or at least highly atmospheric, until jarring into a touch of abstractionism which is not realized enough for the film to flow with its themes.
As if that's not aggravating enough, on top of being uneven, the style of the film is already pretty problematic by its own right, because beyond pacing and focal consistency, there are such questionable structuring moves as the awkward placement of a text prologue before each segment, or overly thematic imagery, or ostensibly somewhat disjointed characterization, whose experimental tastes distance one's investment almost as much as experimental direction which relies too heavily on artistry and atmosphere to dramatically thrive.
The combination of an overblown narrative and an overwrought style, and neither structure aspect's being as realized as they should be, render the film, well, sort of monotonous, at least when pacing is further stiffened by a chilled directorial atmosphere which dull things down, occasionally as tedious.
When I say that tedium is occasional, I mean that the smomething-minute runtime comes in handy by allowing the dramatic lowlights to be spread out few and far between, although, with that said, the film never abandons its problems, challenging them time and again with solid strengths, but not quite formidably enough for the final product to be memorable for anything beyond its aesthetic value.
Still, as much as the film tries your patience, it shouldn't completely overpower it, because as artistically unrealized as this drama is, it has plenty to commend, even when it comes to visual style.
Limitations of the time sort of hold the artistic value of this film back, making it harder to deny the dramatic fumblings which highlights in style could have made up for, but the fact of the matter is that aesthetic value is rich enough to play a big role in making the film reasonably attractive.
Marketa Lazarova - Sound und SounddesignNicht nur, dass sie ausgerechnet die Kutsche eines wichtigen Verbündeten des böhmischen Königs, des Bischofs von Hennau, überfallen, sie nehmen auch dessen Sohn und einen Diener als Gefangene mit in die Festung ihres Vaters. This category only includes cookies that ensures basic functionalities and security features of the website. Marketa Lazarova. Marketa Lazarová. Frantisek Vlácil. CZ Als dieser sich weigert, entführt Mikolás aus Vergeltung Lazars Tochter Marketa. Währenddessen. Szenenbild 1 von 17 aus Marketa Lazarová. Regie: Frantisek Vlácil. Mit: Josef Kemr, Magda Vásáryová. Alle Fotos hier durchblättern. danielovdom.eu - Buy Marketa Lazarova (The Criterion Collection) at a low price; free shipping on qualified orders. See reviews & details on a wide selection of. danielovdom.eu - Achetez Marketa Lazarova à petit prix. Livraison gratuite (voir cond.). Retrouvez infos & avis sur une large sélection de DVD & Blu-ray neufs ou. Bei seiner Uraufführung wurde Frantisek Vlácils monumentaler Historienfilm kaum beachtet, doch 30 Jahre später wählten tschechische Kritiker das.
Try another? My Account My Profile Sign out. My Account. Film , Drama. Time Out says. An epic medieval meditation, filmed at some length from a purportedly unfilmable novel by Vladislav Vancura.
Stripped-down, surreal, and relentlessly grimy account of the shift from Paganism to Christianity. I appreciate overseas even to notice this film, although I keep my doubt about the translation, for even the simplified movie dialogues are high-art and historizing.
The film is based on Vladislav Vancura's brilliant novel of the same name its language level makes it untranslatable.
It apparently caused my colleagues-in-comment some misunderstandings, for sure Czech King was no German in that time even the christianity didn't come in our land germanways , only the noble man and his kidnapped son were.
This film is especially remarkable due to successful conversion of a great book into the great film I don't recall many other examples at this level and due to its capture of medieval.
I hate medieval films with clean, stylish and crafty interiors, clothes etc. Neither manners nor dresses were the significance of nobles in early medieval, the sword was which no commoner was allowed to posses , better say swords and estates were.
This film is basically about weakness and strength in men. Lazar is thief and coward, kind of vulture, but Kozlik with his sons represents the willful and harsh power and bravery that summons an admiration of a sort, for they fear only the God, what makes them better christians than the sneaky Lazar jaws-full-of-Jesus.
Marketa, the unspoiled sweet child resembles all the clear, bright and pure in this world and the only positive aspect of Lazar's sorry life , and is spoiled as everything clean and pure in this world might be.
And she's devoted, first to God, then to earthly Mikolas. I love the metaphore with zealot and little lamb, the connection between Marketa and the God's beast is obvious.
Agnus Dei is another clear and bright to be tainted and consumpted by wild Kozlik's House. And the sound and music, that's the world if its own, there's no music but sudden choir impacts!
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All Critics 11 Top Critics 3 Fresh By now, this burly, seething musk ox of a movie, arguably the most convincing film about the Middle Ages ever made, should be on everyone's tongue.
Michael Atkinson. Episodic in structure, the film proceeds like a folk saga, but its flashbacks, flash-forwards, and abrupt cuts give it a hallucinatory quality.
Ted Shen. Nick Bradshaw. Pat Padua. Sean Axmaker. In less than a minute, before the film's opening titles even conclude, Marketa Lazarov has announced itself as something potentially unique, perhaps indefinable.
Jordan Cronk. Dennis Schwartz. Vlacil's historical epic is a sensory overload I have just seen a masterpiece. Christopher Long.
Sound in general is one of the film's most distinctive features: every word, every movement whips back at you in a dry, staccato echo.
Stephen Thomson. Director Vlacil does not try to romanticize medieval knighthood but creates an atmosphere of mysticism and superstition, with excellent results.
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