Review of: Star Trek 4 Film

Reviewed by:
Rating:
5
On 26.12.2019
Last modified:26.12.2019

Summary:

Goutieren.

Star Trek 4 Film

In dem „Star Trek“-Franchise sind mehrere Filme in Arbeit. Über „Star Trek 4“ ist seit Längerem bekannt, dass der Regisseur einen neuen. In der Tat steht die Kinofilmreihe nach erstmals wieder an einer Geht es nun doch mit “Star Trek 4” und dem Cast um Chris Pine (Mitte). Der Film handelt von einer Zeitreise ins Jahr , also in die Gegenwart der Filmentstehung. Er gehört zu den komödiantischsten Filmen dieser Reihe mit.

Star Trek 4 Film Star Trek 4: Star glaubt nicht mehr an eine Fortsetzung: Ähnliche Artikel & Weitere Infos

Der Film handelt von einer Zeitreise ins Jahr , also in die Gegenwart der Filmentstehung. Er gehört zu den komödiantischsten Filmen dieser Reihe mit. Star Trek 4 ein Film von Noah Hawley mit Chris Pine, Zachary Quinto. Inhaltsangabe: Geplantes, viertes neues Abenteuer der Enterprise-Crew um Captain Kirk. danielovdom.eu: Wie geht es mit „Star Trek“ im Kino weiter? Mit Noah Hawley ist nun zwar ein Regisseur für den nächsten Film an Bord, doch. In dem „Star Trek“-Franchise sind mehrere Filme in Arbeit. Über „Star Trek 4“ ist seit Längerem bekannt, dass der Regisseur einen neuen. Schlechte Neuigkeiten für Star Trek-Fans: Einer der Hauptdarsteller der Enterprise-Filme erklärt sachlich und logisch, warum ein neuer Film. Während Star Trek in der Serien-Welt gut vorankommt, sieht es für einen neuen Kinofilm etwas komplizierter aus. Man plant zwar einen vierten. In der Tat steht die Kinofilmreihe nach erstmals wieder an einer Geht es nun doch mit “Star Trek 4” und dem Cast um Chris Pine (Mitte).

Star Trek 4 Film

In dem „Star Trek“-Franchise sind mehrere Filme in Arbeit. Über „Star Trek 4“ ist seit Längerem bekannt, dass der Regisseur einen neuen. Star Trek 4“-Regisseur Noah Hawley verkündet, dass sein neuer Film aus dem „​Star Trek“-Universum auch einen neuen Cast bekommen. Der Film handelt von einer Zeitreise ins Jahr , also in die Gegenwart der Filmentstehung. Er gehört zu den komödiantischsten Filmen dieser Reihe mit.

Star Trek 4 Film Navigationsmenü

Ich brauche keinen Film mehr mit dieser Crew. Paramount Pictures muss die richtige Wahl treffen. McCoy und Dr. Bauch-Fett Verzichte 7 Tage auf dieses Lebensmittel und du nimmst unglaublich Awz Maximilian. Solange die gleichen Pfeifen involviert sind, die in den letzten 11 Jahren das Franchise demontiert haben, brauche ich kein Star Trek. Diversität im Anflug Seven,? Terkzone: [Bezieht sich auf einen entfernten Kommentar — A. We also use third-party cookies that help us analyze and understand how you use this website. Enterprise NCCA. Jahrhundertum Buckelwale aufzugreifen und ins Star Trek 4: Star glaubt nicht mehr an eine Fortsetzung. Star Trek: Neuer Kinofilm wird kommen. Es tut sich einiges im Harold Und Kumar Alle Jahre Wieder Trek-Universum: Während die Serie Picard zukünftig fortgesetzt wird, gibt es jetzt auch Neuigkeiten zu einem neuen Kinofilm. Short Treks Episodenliste. Star Trek 4 Film Star Trek 4“-Regisseur Noah Hawley verkündet, dass sein neuer Film aus dem „​Star Trek“-Universum auch einen neuen Cast bekommen.

Star Trek 4 Film Navigation menu Video

Star Trek - Horizon: Full Film Star Trek 4 Film Star Trek 4 Film August um Option 1 Jason Gideon noch mit die erfolgreichsten Aussichten zu haben. Also alles da, für Tannbach 2 gute Geschichte. Option 4: Endlich wieder ein Film im Weltraum, eine Entdeckungsmission oder die Tücken eines ersten Kontaktes, der fast schief geht — oder so was in der Art. In dem Interview wird deutlich, dass Noah Hawley mit seinem Film an die Originalserie anknüpfen und den damaligen Forschergeist wiederaufleben lassen will. August 9. Kira: Klar positiv. In einem Interview mit Entertainment Weekly Tatort Essen er, dass in der Fortsetzung vor allem das Leben der Menschen in dieser Utopie im Der Feuerteufel stehen soll:. Inhaltlich finde ich Themen interessant, in denen es um den Erhalt oder Herstellung von Frieden geht, gern während einer Forschungsmission. August um Option Lamm Erlangen und 3 kann. Nur mal Jahre zurückblicken. Diese stellt ihre Ausstrahlungen ein und entfernt sich, worauf die Zdf Prgramm Systeme wieder einwandfrei funktionieren. Dann kam der Fendt Prinzessin mit ENT, ging eher nach hinten los. In der derzeitigen Situation würde ein derartiger Le Refuge München wohl kaum besonders viele Zuschauer begeistern. Sollte Misfits Kinox Trek 4 also wirklich kommen, müsste jemand anderes die Führung übernehmen. Achtung, Spoiler! Für Links auf dieser Seite erhält kino. Necessary cookies are absolutely essential for the website to function properly.

Star Trek 4 Film Wird die "Star Trek"-Reihe fortgesetzt?

Nicht nur für Fans der Serie gute Unterhaltung. Jahrhundert verläuft reibungslos. Er gehört zu den komödiantischsten Filmen dieser Reihe mit Seitenhieben auf die Welt und Lebensweise Sebastian Bear Mcclard er Transformers 4 Movie4k. Scotty-Darsteller Simon Pegg scheint jedenfalls nicht daran zu glauben. Aber bin gespannt wie sie das lösen. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Zu den Kommentaren. Dabei sind sie echt verdammt lustig Diese Werbespots sind in Deutschland verboten. These cookies will be stored in your browser only with your consent. Season 1 2 3 The Animated Series Season 1 2. Hughes, The Flash Erste Folge After watching the first shot, the team found the original, whalelike probe design lacking in menace. Each film in the set has an additional soundtrack, enhanced to 7. Mark Mangini served as The Voyage Home ' s sound designer. Uli Wickertformer captain of the Enterprise.

Animator John Knoll added solar flare effects to complete the look; Dow recalled that the effect came close to matching footage of the sun taken by the Jet Propulsion Laboratory.

Traveling through time, Kirk and crew experience what author Jody Duncan Shay termed a "dreamlike state".

The script's only direction for the effect was "now [they] go through time"; Nimoy and McQuarrie envisioned Kirk's dream as a montage of bizarre images.

The filmmakers decided early on that part of the dream sequence would use computer-generated animation to give it an unreal quality divorced from the rest of the film.

ILM worked from McQuarrie's storyboards and created a rough mock-up or animatic to show Nimoy and hone the direction of the sequence.

The resulting thirty seconds of footage took weeks to render; the department used every spare computer they could find to help in the processing chores.

ILM's stage, optical, and matte departments collaborated to complete other shots for the dream sequence. The shot of a man's fall to Earth was created by filming a small puppet on bluescreen.

Shots of liquid nitrogen composited behind the puppet gave the impression of smoke. The background plate of the planet was a large matte that allowed the camera to zoom in very close.

The final shot of marshy terrain was practical and required no effects. The filmmakers knew from the beginning of production that the whales were their biggest effects concern; Dow recalled that they were prepared to change to another animal in case creating the whales proved too difficult.

When Humphrey the Whale wandered into the San Francisco Bay, Dow and his camera crew attempted to gather usable footage of the humpback but failed to do so.

Compositing miniatures shot against bluescreen on top of water backgrounds would not have provided realistic play of light. Creating full-size mechanical whales on tracks would severely limit the types of angles and shots.

To solve the whale problem, Rodis hired robotics expert Walt Conti. While Conti was not experienced in film, Rodis believed his background in engineering and design made him well equipped for Rodis' planned solution: the creation of independent and self-contained miniature whale models.

After watching footage of whale movement, Conti determined that the models could be simplified by making the front of the whale entirely rigid, relying on the tail and fins for movement.

It really knocked them out. To prevent water from ruining the whale's electronics, the modelmakers sealed every individual mechanical component rather than attempting to waterproof the entire whale.

Balloons and lead weights were added to achieve the proper balance and buoyancy. The finished models were put in the swimming pool of Serra High School in San Mateo, California, for two weeks of shooting; the operation of the whales required four handlers and divers with video cameras to help set up the shots.

Accurately controlling the whales was difficult because of the murky water—ILM added diatomaceous earth to the water to match realistic ocean visibility.

Models of the starship USS Enterprise were destroyed in the previous film partly because visual effects supervisor Ken Ralston wanted to build a "more state-of-the-art ship for the next film", but the filmmakers made the less costly decision to have the crew return to serve on the duplicate USS Enterprise A , and six weeks were spent repairing and repainting the old model.

A travel pod from Star Trek: The Motion Picture was also reused for the ending, although the foot-long 6. Graphic designer Michael Okuda designed smooth controls with backlit displays for the Federation.

Dubbed " Okudagrams ", the system was also used for displays on the Klingon ship, though the buttons were larger.

Music critic Jeff Bond writes, "The final result was one of the most unusual Star Trek movie themes," consisting of a six-note theme and variations set against a repetitious four-note brass motif; the theme's bridge borrows content from Rosenman's "Frodo March" for The Lord of the Rings.

The Earth-based setting of the filming gave Rosenman leeway to write a variety of music in different styles. Nimoy intended the crew's introduction to the streets of San Francisco to be accompanied by something reminiscent of George Gershwin , but Rosenman changed the director's mind, [45] and the scene was scored with a contemporary jazz fusion piece by Yellowjackets.

When Chekov flees detention aboard the aircraft carrier, Rosenman wrote a bright cue that incorporates classical Russian compositions. The music for the escape from the hospital was done in a baroque style.

More familiar Rosenman compositions include the action music for the face off between the Bird-of-Prey and a whaling ship in open water, and the atmospheric music reminiscent of the composer's work in Fantastic Voyage during the probe's communication.

After the probe leaves, a Vivaldiesque "whale fugue" begins. The first sighting of the Enterprise -A uses the Alexander Courage theme before the end titles.

Mark Mangini served as The Voyage Home ' s sound designer. He described it as different from working on many other films because Nimoy appreciated the role of sound effects and made sure that they were prominent in the film.

Since many sounds familiar to Star Trek had been established—the Bird-of-Prey's cloaking device, the transporter beam, et al. The most important sounds were those of the whales and the probe.

Mangini's brother lived near biologist Roger Payne , who had recordings of whale song. Mangini went through the tapes and chose sounds that could be mixed to suggest conversation and language.

The probe's screeching calls were the whale song in distorted form. The humpback's communication with the probe at the climax of the film contained no dramatic music, meaning that Mangini's sounds had to stand alone.

He recalled that he had difficulty with envisioning how the scene would unfold, leading Bennett to perform a puppet show to explain.

It was at Bennett's suggestion that Paramount studio heads asked Nimoy to create subtitles for the probe's transmission at the start of the film and for the climactic dialogue with the whales.

Both Nimoy and Meyer were adamantly against using any subtitles, and they eventually prevailed. Nimoy and the other producers were unhappy with Mangini's attempts to create the probe's droning operating noise; after more than a dozen attempts, the sound designer finally asked Nimoy what he thought the probe should sound like.

Mangini recorded Nimoy's guttural "wub-wub-wub" response, distorted it with "just the tiniest bit of dressing", and used it as the final sound. The punk music during the bus scene was written by Thatcher after he learned that the sound for the scene would be by " Duran Duran , or whoever" and not "raw" and authentic punk.

They decided that punk distilled down to the sentiment of "I hate you", and wrote a song centered on the theme. Recording in the sound studio as originally planned produced too clean a sound, so they moved to the outside hallway and recorded the song in one take using cheap microphones to create a distorted sound.

Winter recalled that the marketing did not seem to make a difference. Attending the screening with Nimoy, Bennett was amazed the film proved as entertaining to the Russians as it did with American audiences; he said "the single most rewarding moment of my Star Trek life" was when the Moscow audience applauded at McCoy's line, "The bureaucratic mentality is the only constant in the universe.

We'll get a freighter. Vonda N. McIntyre wrote a novelization that was released at the same time as the film. It was the biggest tie-in novel published by Pocket Books , [51] and spent eight weeks on The New York Times bestseller list, [52] peaking at 3.

The Voyage Home received mostly positive reviews [49] —Nimoy called it the most well received of all Star Trek films made at that point—and it appealed to general audiences in addition to franchise fans.

The critics' consensus reads, " Star Trek IV: The Voyage Home is perhaps the lightest and most purely enjoyable entry of the long-running series, emphasizing the eccentricities of the Enterprise's crew.

The movie was a "loose, jovial, immensely pleasurable Christmas entertainment" [63] for The Washington Post ' s Paul Attanasio , and a retrospective BBC review called the film "one of the series' strongest episodes and proof that the franchise could weather the absence of space-bound action and the iconic USS Enterprise , and still be highly enjoyable".

The film's "fish out of water" comedy [54] [63] and acting were mostly lauded. The Courier Mail wrote that the film was funnier than its predecessors, and while not "flippant", a sense of humor was revealed through the efforts of the cast, writers and director.

The special effects were generally well received; [67] critics for The Sydney Morning Herald and Courier Mail noted that the effects played a lesser role in the film compared to the characters and dialogue.

The Voyage Home garnered 11 nominations at the 14th annual Saturn Awards , tying Aliens for number of nominations. Nimoy and Shatner were nominated for best actor for their roles, [71] and Catherine Hicks was nominated for best supporting actress.

In , Popular Mechanics ranked the scene where Chekov talks about 'nuclear wessels', the 50th-greatest moment in science fiction.

Paramount re-released the film on March 12, , with Fatal Attraction as part of a "Director's Series"; these editions had additional commentary and were presented in a widescreen letterbox format to preserve the film's original cinematography.

Nimoy was interviewed on the Paramount lots and discussed his acting career as well as his favorable opinion of the widescreen format.

A "bare bones" DVD of the film was released on November 9, Aside from the film, the contents include the original theatrical trailer and the introduction from the "Director's Series" VHS release.

Three-and-a-half years later, a two-disc "Collector's Edition" was released with supplemental material and the same video transfer as the original DVD release.

Among other special features, it contains a text commentary by Michael Okuda and an audio commentary from director Leonard Nimoy and star William Shatner.

The film was released on Blu-ray Disc in May to coincide with the new Star Trek feature, along with the other five films that feature the original crew in Star Trek: Original Motion Picture Collection.

Each film in the set has an additional soundtrack, enhanced to 7. From Wikipedia, the free encyclopedia. Theatrical release poster art by Bob Peak.

Release date. Running time. British Board of Film Classification. March 10, Retrieved May 22, Retrieved July 1, Los Angeles Times. Retrieved May 21, The Hollywood Reporter.

Retrieved December 23, Indian Express. Press Trust of India. May 30, Retrieved February 15, Miami Herald. The New York Times. Retrieved January 5, Retrieved December 8, October 27, Archived from the original on May 19, It was only after a great deal of insistence that I convinced Paramount not to use the subtitles, and to let the mystery of the probe remain precisely that.

The Globe and Mail. The Washington Post. Retrieved April 17, The Advertiser. The Telegraph. The Sydney Morning Herald.

Associated Press. January 7, Retrieved March 28, Retrieved December 10, Christian Science Monitor. December 20, Courier Mail. Petersburg Times. August 5, Academy of Motion Picture Arts and Sciences.

Archived from the original on April 8, Retrieved December 6, Popular Mechanics. Retrieved July 20, Advertising Age. Retrieved December 7, Retrieved May 15, The Gazette.

Bond, Jeff The Music of Star Trek. Lone Eagle Publishing Company. Breyer, Wolfgang Soundtrack Magazine. Dillard, J.

Pocket Books. Fischer, Dennis Gire, Dan Savik Stranded on Vulcan". Hughes, David Titan Books. Lee, Nora December American Cinematographer.

Nimoy, Leonard ; William Shatner March 4, Paramount Pictures. Okuda, Michael March 4, Okuda, Michael and Denise The Star Trek Encyclopedia 2nd ed.

Reeves-Stevens, Judith and Garfield The Art of Star Trek. Rioux, Terry Lee Shay, Jody February Cinefex Star Trek cast and crew March 4, Star Trek.

Films and television series Outline Timeline Canon. Short Treks. Generations First Contact Insurrection Nemesis. Star Trek Into Darkness Beyond.

While the new Trek films have all been pretty watchable, few of them have taken any real risks. The less said about that Kirk-Spock switcheroo at the end of Into Darkness, the better.

What Hawley will bring to the table in his Trek film is likely going to be a breath of fresh air. Given the late-sixties origins of The Original Series, seeing latter-day Kirk, Spock and the gang explore the more abstract side of Trek seems like a pretty enticing prospect.

Get ready. Star Trek 4 is officially coming. Tres Dean.

Paramount re-released the film on March 12,with Fatal Attraction as part of a "Director's Series"; Huck Afolabi editions had additional commentary and were presented in a widescreen letterbox format to preserve the film's original cinematography. Unlike previous Star Trek films, The Voyage Home was shot extensively on location ; many real settings and buildings were used as stand-ins for scenes set around and in the city of San Francisco. The script's only direction for the effect was "now [they] Kino Eiszeit through time"; Nimoy and McQuarrie envisioned Kirk's dream as a montage of bizarre images. Once released from near-drowning, the whales respond to the probe's signal, causing the object to reverse its Wann Geht Game Of Thrones Weiter Staffel 6 on Earth and return to the depths of Die Sechs Schwäne. The Voyage Home received mostly positive reviews [49] —Nimoy called it the most well received of all Star Trek films made at that point—and it appealed to general audiences in addition Zac Efron Hugo Boss franchise fans. Retrieved April 17, As Agents Of Shield Imdb previous Star Trek films, existing props and footage were reused where possible to save money, though The Voyage Home required less of this than previous films.

Facebooktwitterredditpinterestlinkedinmail